DIGIPOST SHOWREEL 2017

It’s 2017! It’s the time to reflect. To introspect. To look back on a stimulating year of change. Here is a quick compilation of our body of work. Excellently curated with impeccable editing to showcase just the right moments. This is how we compress a year’s worth of blood and sweat. Here are the final outputs minus the stress, drama, hate and love involved in creating our magic.

Thank you to all the clients who put their faith in us in 2016 and we look forward to more exciting collaborations.

In the words of Thom Yorke..

“This goes
Beyond me
Beyond you

We are
Just happy to serve
Just happy to serve
You”

Hit the full screen button and grab a cà phê đá.

Meet DIGIPOST’s newest colorist

laura

Please tell me something about you.

My name is Laura F. Knieling. I’m from Spain, where I finished my study in Audiovisual Media. I came to work in Vietnam about one month ago.

Why Vietnam?

I first visited the country on a vacation five years before and loved it so much. So, I decided to come her to start the adventure of working far away from my hometown.

It’s nice to work at DIGIPOST, where people are very open and helpful like a family. I think that homey feeling is very important in such a demanding environment as a post house.

Do you remember the moment you decided to become a colorist?

I always love painting and colors, so when I watch films, I often found myself wondering how that scene could have such a specific look. I was especially intrigued by the cheeky grade of “Drive” by Nicolas Winding Refn, and the elegant, discreet and effective grade of “There Will Be Blood” and “The Master,” both by Paul Thomas Anderson.

I assumed the impressive looks were created by the Director of Photography until one day I realized that they were the creation of colorists. I also realized that I wanted to and could become a colorist.

Is there a gap between your imagination about the job and its reality?

It is more difficult than I thought at the beginning. Once I started doing the job, I realized how many techniques and work are involved. I also realized that there are many ways to do things in color grading. In other words, it is much more complicated, but also more exciting.

It is also different when you are a professional colorist. My first-ever project was a short movie. As a freelancer, I had total control over the work and schedule.

Now, as a professional colorist, I have to meet the expectations of all people involved in my project, including directors and clients. But, it doesn’t mean that it isn’t nice. In fact, it is more challenging and demanding. It helps shape my grading skills and ideas about colors. When people feel happy with the results I deliver, I do too.

I want to keep running and running, improving and improving my skills. I want to make the best.

So, to you, what is color grading and colorist?

As a kid I used to paint, but for different reasons I stopped it and for many years I didn’t took a pencil again. Now, years later I see the color grading as a second opportunity that was given to me to get in touch again with the world of color, accompanying another passion: the audiovisual world.

To me, color grading is a craftsmanship. It’s like molding wax or carving wood. You get the “raw” (in a color meaning) product and you polish it with discretion and care.

You can watch Laura’s showreel here:

‘O Color, Why Should I Bother?’

Here’s the reason why you need to hire a professional colorist to grade your works

bobbynguyen-still

A screenshot from Bobby Nguyen – The photographer, a short film produced by RICE and color graded by DIGIPOST

Since “O Brother, Where Art Thou?” was released in 2000 and became the first feature film to get fully digital color grading, color grading techniques have gone through a huge evolution.

Nowadays anyone can color grade their works quickly and effectively like a pro with the assistance of advanced software. Or, so the software marketers have been telling you.

That has raised a critical question: if color grading sounds that easy, do you still need to pay high prices to hire a professional colorist to do your works?

Definitely yes. Here’s why.

In order to add the emotional engagement to your works, and big one at that, you do not need someone who masters grading techniques only.

You need someone who is also an artist, or a painter in particular. Someone who has a taste and an eye for colors. Someone who knows how to choose the right color to provoke desired emotions from audience.

And, that taste is something natural. Either you have it or you do not. Just like in arts, it’s one thing that you can paint, but whether you are a talented painter is another thing.

“Color grading is about shaping the emotional effects of a scene, rather than just fixing technical errors happening during filming such as lighting,” Laura, a colorist at DIGIPOST, said.

“It’s like sculpting,” she said.

In an old interview on the breakthrough color grading of “O Brother, Where Art Thou?” Randy Starr, VFX producer at Cinesite, which did the film’s VFX, once said color was like a character in a movie.

“As a character, it let you feel the period of time. It let you feel the heat in the air. It let you feel the sweats on the body. And that’s something a filmmaker couldn’t capture on a camera.”

In other words, without a professional colorist who plays as a good director to bring out the best of that character, your works are never complete, emotionally.